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Artistic Integrity: An Interview With Dr. Anesha Dexter
I just really love the energy and passion that Anesha brought to this interview. We met many years ago, we think at the…
12 Things I Want You To Think About When Submitting A Recording For A Competition
Recently, I had the opportunity for a new experience – adjudicating recorded submissions for a competition. I’ve been on the submitting side many…
Flutelore: Bringing Two New Flute Concertos to Life
In the summer of 2023, the idea for the Flutelore album came to me the way many of my projects do—through a conversation…
The Long Game: 10 Tips on Transformational Practice
After a significant flute practice break, it can sometimes be rough to get back into the groove of things. We might find tone…
NYWC – Faye Ellen Silverman
Program Notes “Conversations Continued” for alto flute and clarinet by Faye-Ellen SilvermanWhen Voices of Change, a contemporary music group in Dallas, chose to…
HEALTH AND WELLNESSAll posts
Music Therapy: a Total Human Experience
Arts Administration Entrepreneur Event Planning Guest Post Health and Wellness Inspiration Pedagogy Performance Anxiety Practice Research Teaching Flute
New Year, New Adventure
Everything You Wanted To Know About Breathing – Part Seven
Dr. Daniel Shineberg – Trauma Management, Authentic Self, And Making Music
9mm Piccolo College Entrepreneur Flute Studio Profiles Guest Post Health and Wellness Inspiration Pedagogy Teaching Flute Uncategorized
Removing the Mask: A Flutist’s Journey on the Spectrum
Everything You Wanted To Know About Breathing Series – Part Six
NEW YORK WOMEN COMPOSERSAll posts
NYWC – Faye Ellen Silverman
Program Notes “Conversations Continued” for alto flute and clarinet by Faye-Ellen SilvermanWhen Voices of Change, a contemporary music group in Dallas, chose to…
NYWC – Nina Siniakova
“Landscapes of Sorrow and Grace” Concerto for Flute and Orchestra (flute solo, orchestra: 2,2,2,2; 4,3,3,1; timpani, percussion, harp; strings) by Nina Siniakova “Landscapes…
Victoria Bond: Pater Patriae (NYWC)
“Pater Patriae” for solo flute, 3332/4331/timp/perc (3) by Victoria Bond“I have always loved the flute – the timbre of the instrument as well…
The Bare Minimum for solo flute by Catherine Neville
“The Bare Minimum” is a musical statement about the mental load: the cognitive and emotional work of managing a household. The thematic material…
9MM PICCOLOAll posts
Farming the Dream – Social Media Piccolo Shopping
I have had a blast sharing my journey to my custom piccolo order with all of our readers. Shopping for an instrument is…
9mm Piccolo College Entrepreneur Flute Studio Profiles Guest Post Health and Wellness Inspiration Pedagogy Teaching Flute Uncategorized
Removing the Mask: A Flutist’s Journey on the Spectrum
In our society, being neurodivergent is sort of frowned upon because the classical music world at large expects us to fit into the…
From Stick To Picc: An Interview With Adam Pettry
It has been six years since our last interview with Adam Pettry when he shared with us that he was going to start…
Being an Artist in Classical Music: A Conversation with Timothy Hagen
Keith had a chance to sit down with Timothy Hagen to discuss what being an artist in Classical music means and the many…
The Right Tool For the Job
This article may cause a bit of a commotion, but the topic has been all over social media and caused heated discussions for…
Thoughts From A Convention Hotel Room
We are about to embark on the National Flute Association Convention 2023 in Phoenix, Arizona. As I sit in my cool and quiet…