Author: Keith Hanlon
Why Repertoire Choice Matters
“Cafajeste” for flute, vibraphone, and double bass by Melanie Mitrano
A Practical Guide to Starting a Flute Choir
Technique for Older Students: Pursuing the Simple Delight of Making Music
NYWC Catherine Neville’s work “Parley” for flute and cello
An Interview with Dr. Suyeon Ko
The Mystery of Tone Production on the Flute
NYWC – “Aceldama” for solo flute and string orchestra by Mary Ann Joyce-Walter
