Stéphanie Superle of FlutePlay: Envisioning a New Educational Model for Young Musicians
Tell us about yourself… how did you begin to play the flute? When I was little, maybe 8 or 9 years old, my…
Beatboxing and Beyond: Flute, Friendship, and a Pandemic Project Brought to Life
Mary Matthews: We are sitting here on your couch in Doraville, GA with a snoring pit bull, two cups of coffee, and a…
FE Flute Studio Profiles: Dan Parasky
At the Flute Examiner, we cherish our teachers, whether they serve college flute studios, community music schools, private independent studios or a combination…
Developing Great Timing with Simple Exercises Part II: Aural Responses
This article is one in a three part series that focuses on great “timing,” specifically ways to develop a sense of beat and…
Going Elementary
From an early age, all I ever wanted was to teach the flute. I spent hours practicing in my room as a child,…
Set in Stone
Last week I had a conversation with one of my high school flute students that went something like this: Me: I’m so glad…
Colour Flute: Finnish Flutist Jaana Laasonen’s Method Inspired by the Kodály Concept
After completing my second level Kodály training for elementary general methods teaching, I started applying the method to private lessons. If you have read…
Ewazen Piccolo Concerto Performance Guide Movements 1 & 2
On Saturday, October 13th, 2018, I had the privilege to perform Eric Ewazen’s On Wings of Song for Piccolo and Wind Ensemble at…
Piccolo Method Books – Part II
Piccolo! Piccolo! – Book 1 and Book 2 Dr. Danielle Eden is a graduate of the Royal Academy of Music, the University of…
