Flute Tools in the Age of COVID-19: Examining Practicality
Flute Tools in the Age of COVID-19: Examining Practicality By Michelle Barraclough, MacKenzie Kyzer, and Alydia Marangoni In this age of making music…
FE Flute Studio Profiles: Dr. Keith Hanlon
Tell us about your studio, including the state that you’re in. What ages do you teach and what are your students like? I…
Fulbright in the Time of Corona
Applying for a Fulbright grant has been one of my professional goals for nearly a decade. Once I had earned tenure at my…
A Conversation with Kim Scott: Passion, Hard Work, Commitment and Truth
A Conversation with Kim Scott: Passion, Hard Work, Commitment and Truth JD: Tell us about your influences. What drew you to the flute…
Black Swan for flute and piano by Leanna Primiani
Introductory notes: Growing up playing the flute, I had performed the works written for the NFA competitions my whole life. I never dreamed…
7 Essential Tools to Empower Artists as Entrepreneurs
Originally featured on the Americans for the Arts ARTSBLOG Note: Because artists – in many cases – are entrepreneurs, I will be using…
Fantasy for flute and piano by Debra Kaye
Fantasy is the first of a three movement suite for flute and piano, commissioned by flutist Carl Gutowski. This first piece was written…
A Student’s Guide for Recital Programming and Preparation
Recitals are exciting opportunities to share with an audience music that is meaningful to you. Preparing for a recital should be a fun…
A Conversation with Eva Amsler
I had the pleasure to sit and talk with my former teacher and mentor Eva Amsler, Professor at Florida State University. Her teaching,…
