Bridget Rennie-Salonen: A Multifaceted South African Flautist
I have been fortunate to know Bridget Rennie-Salonen for a number of years through the Association for Body Mapping Education (ABME), of which…
Dr. Brittany Trotter: Popular Pedagogy
Keith: Brittany, I want to thank you for allowing me to interview you for The Flute Examiner. It really is a small world.…
Interview with Mary Kay Fink, by Kelly Mollnow Wilson
photo credit to Roger Mastroianni KMW: When did you know that flute was THE instrument for you? When and how did the piccolo burst…
Jane Lenoir and the Roots of Creativity
Tell us about your background. How did you come to the flute and to music as a career? I grew up in a…
A Conversation with Kim Scott: Passion, Hard Work, Commitment and Truth
A Conversation with Kim Scott: Passion, Hard Work, Commitment and Truth JD: Tell us about your influences. What drew you to the flute…
Interview with Jennifer Gunn
KH: I remember the first time I heard you play with the CSO. I happened to be in Chicago and my flight was…
7 Essential Tools to Empower Artists as Entrepreneurs
Originally featured on the Americans for the Arts ARTSBLOG Note: Because artists – in many cases – are entrepreneurs, I will be using…
A Conversation with Eva Amsler
I had the pleasure to sit and talk with my former teacher and mentor Eva Amsler, Professor at Florida State University. Her teaching,…
Piccolo Playing in a Light of Great Joy: A Conversation with Ilonka Kolthof
JD: Tell us about your background. How did you come to music as a career? IK: When I was seven years old, I…
